Monday, December 6, 2010

ALBUM REVIEW: NICKI MINAJ / PINK FRIDAY/ YOUNG MONEY /CASH MONEY/ UNIVERSAL/ RATING: 3.5/5


Over the past decade the status of the female MC has declined. The last female rapper to make any significance on the charts was Missy "Misdemeanor" Elliot, to her credit her 2002 single "Work It" shot up to the top of the charts. Enter Onika Maraj (Nicki Minaj) the lone female rapper in Lil' Wayne's Young Money crew. Just like her mentor , Wayne, Nicki Minaj made a name for herself by hitting the mixtape scene , and making note-worthy guest appearances from the likes of Mariah Carey to Gucci Mane. Her buzz generated so much attention that even the Jiggaman himself, Jay-Z brought her on stage at Yankee Stadium for his historic Home and Home Tour with Eminem this past September. After watching her fellow Young Money label mate , Drake, drop his much anticipated ,successful opus, Thank Me Later over the summer , the hip hop world soon turned their eyes on Nicki to see if she could deliver another home run for her Young Money camp , while also fill the void of the missing femcees in the rap game. Nicki Minaj shoulders the pressure with the equally anticipated Pink Friday. The festivities begin with the synth -heavy album opener "I'm The Best". The song, if nothing less is an achievement in itself as Nicki Minaj brings forth her declaration, and also keeping in mind what's at stake: "I hear their coming for me/ Because the top is lonely/ What the fuck they gon' say? / I'm the best..." She belts on the hook. What makes Nicki Minaj an intriguing figure in the world of music is not just based on her style , as she is sometimes considered the Lady GaGa of rap, but her outlandish, at times bizarre delivery on the mic. The culprit for this eccentric behavior can be credited to her alter-ego Roman Zolansky. Nicki had gone on record to say she tries to keep her inner split personality hidden, but at times Roman gets the best of her, and she can't be held accountable for Roman's actions. With that being said , the album's most controversial track "Roman's Revenge" finds Roman sharing mic duties with another rapper's alter-ego , Eminem's Slim Shady. The two go on a rampage over Swizz Beatz frantic track. The track is rumored to be a subliminal diss toward reigning Queen Bee , Lil' Kim, who has recently been going back and forth with the new jack, Nicki over biting the Queen's style. Nicki--oops , I mean Roman sends warning shots to a "has-been" rapper by spitting "Is this the thanks that I get for putting you bitches on?/ Is it my fault that all you bitches gone?...'Nicki she just mad cause you took the spot'/ Word, that bitch mad cause I took the spot?/ Well bitch if you ain't shittin, then get off the pot/ Got some niggas out in Brooklyn, that'll off your top" While Slim Shady uses a female as a metaphor for life with these not so friendly bars: "I swear to God/ Life's a dumb , blond, white broad/ With fake tits /And a bad dye job/ Who just spit in my fuckin face...so I tied her arms and legs to the bed/ And set up the camera and pissed twice on her/ Look, two peas in a tripod". On the Bangladesh-number "Did It On'em" Roman pops up again stating : "She ain't a Nicki fan/ Then the bitch deaf-dumb/ You ain't my son/ You my muthafuckin step-son". When Nicki Minaj does take control of her album she displays a side we rarely see from her---vulnerability. On "Save Me" Nicki Minaj shows off her singing chops as she humbly bares her all over the sparse track, singing, " It's not your fault I'm a bitch / I'm a monster/ Yes, I'm a beast/ And I feast when I conquer/ But , I'm alone on my thrown/ All these witches / I came this way/ All this way just to say/ This time won't you save me/ Baby I can feel myself giving up". Moments like these brings more layers to Nicki Minaj that we really don't see, and its just as entertaining. Another album highlight is the Drake-feature "Moment 4 Life". Nicki and Drake reunite after Drake's "Up All Night" to deliver a stirring performance about cherishing life's most intimate moments. Drake sums it all up , closing his verse with, "Man, this one for the books/ Man, I swear this shit is as fun as it looks/ Man, I'm trying to make it more than what it is/ Cause everybody dies/ But not everybody lives". Pink Friday is not without its short-comings. The will.i.am produced and featured-"Check It Out" suffers from just being downright cheesy, and while "Your Love" was a number one hit for Nicki Minaj , the song sounds like a filler compared to the other gems that could have been better choices. Even when she teams up with Kanye West for "Blazin" the hook is stagnant and becomes annoying upon a further listen. Pink Friday still has something to offer, but its not what some may have expected with all the hype surrounded by it. What Nicki Minaj has done more than anything with Pink Friday is become a voice for female rappers who have up until this moment been silent. That is a testament to her star-power, because there hasn't been any doubt that Nicki Minaj is indeed a star, and if you beg to differ than your just deaf-dumb.

Wednesday, November 24, 2010

Lloyd Banks Weighs in on Competing with Kanye & Nicki Minaj

Kanye West & Jay-Z- Thats My Bitch (Feat Elly Jackson of La Roux) [No Tags]

TRACK LISTING FOR T.I.'s "NO MERCY" REVEALED!




The track listing to incarcerated rapper T.I. leaked online early last week. The album features guest appearances from Kanye West to Christina Aguilera, and production from Swizz Beatz and the Neptunes. Album hits stores December 7th.




TRACK LISTING FOR NO MERCY:




1. Welcome To The World feat. Kanye West & KiD CuDi


2. How Life Changed feat. Michelle'l & Scarface


3. Get Back Up feat. Chris Brown


4. I Can't Help It feat. Rocko


5. That's All She Wrote feat. Eminem


6. No Mercy feat. The -Dream


7. Big Picture


8. Strip feat. Young Dro & Trey Songz


9. Salute


10. Amazing feat. Pharrell


11. Everything On Me


12. Poppin' Bottles feat. Drake


13. Lay Me Down


14. Castle Walls feat. Christina Aguilera

JAY-Z DECODED IN STORES NOW!!!!


Rapper/Mogul, Jay-Z can now add author to his already impressive resume'. Jay-Z debuts with his autobiography entitled, Decoded. In the book, Hov breaks down the lyrics to more than 30 of his most revered songs, while also giving the reader a piece of his early upbringings all the way to the Hip Hop titan he has become today.

Monday, November 22, 2010

ALBUM REVIEW: KID CUDI/ MAN ON THE MOON II: THE LEGEND OF MR. RAGER/ G.O.O.D. MUSIC/ RATING: 3.5/5


The trials and tribulations of Scott Mescudi a.k.a. Kid Cudi has been documented like CNN coverage. The troubled emcee has had his share of pitfalls over the past year, most recently , his arrest on possession of what reports claim was "liquid cocaine". Originally planned as a collaboration album, Kid Cudi's sophomore Man On The Moon II : The Legend Of Mr. Rager revisits those dark themes of his debut released just a year ago. The theatrical-inspired disc is set up as a sequel that finds Cudi as the main character, battling his demons that seem to be hell bent on keeping a dark cloud over his head. Backed by Emile's moody production, the Cee-Lo Green-assisted album opener "Scott Mescudi VS. The World" takes listeners on a journey that sets up the rest of the album, which just like its first installment , is divided into 5 acts. Mary J. Blige can be considered a supporting actress along side Kid Cudi, as she lends her vocals to two tracks. The first of these collaborations is "Don't Play This Song", which finds Cudi rapping about trying to get his mind right , while Mary sings on the hook: "People think they really being helpful/ By telling me to please be careful/ Yeah right!" The themes of depression, paranoia, drugs, and regret run frequently throughout. Thus this sets up the introduction to Kid Cudi's alter-ego Mr. Rager (hence the album's title). Mr. Rager takes the audience to even darker places."The End" is a stand out track that features GLC, Nicole Wray and a compelling-guest-stealing verse from Chip The Ripper. While the album is good, you get a sense that Kid Cudi still hasn't truly defeated his demons and the aforementioned themes begin to become repetitive. On "Ghost!" Cudi sums up his entire existence in a nutshell: "Gotta get it through my thick head/ I was so close to being dead/ Life, live it/ With not many help tips/ Man I'm just walkin'/ Without bein' lead...The beginning is always followed by the end/ So in between time/ I'm not running or hidin'/ Things do come around / And make sense eventually". MOTMII is a interesting journey through the eyes of a youngster ,who is still trying to find his footing in a world that sometimes can swallow you faster than quicksand. Hopefully, Kid Cudi can finish off his demons and make that happy ending before the final credits roll.
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Friday, November 19, 2010

ALBUM REVIEW: KANYE WEST/ MY BEAUTIFUL DARK TWISTED FANTASY / ROC-A-FELLA/ ISLAND DEF JAM/ RATING: 5/5


A year ago, Mr. West became the music industry's public enemy No.1. Just days after his infamous- Taylor Swift -incident at the VMA's, Kanye got-the-hell-out-of-country and spent the remainder of the year out of the spotlight and doing a lot of self-evaluation . When it was time for Kanye West to return to the studio to make music, he had one goal in mind: Make music that will transcend, change and push the boundaries of hip hop like never before. The ending result is an epic masterpiece on wax. Kanye West uses My Beautiful Dark Twisted Fantasy as a platform to fight his inner demons ,and cement his name as a rap Goliath. The manifesto begins with the piano-driven ,old school bass line of "Dark Fantasy" Ye' boasts, "I'm just a Chi-town nigga with a NaS flow" or dropping clever lines like, "Too many Urkels on your team/ That's why your Winslow ( wins low)". The KiD CuDi and Raekwon assisted- "Gorgeous" finds West at his most lyrical." Is hip-hop is just a euphemism for a new religion?/ The soul music of the slaves/ That the youth is missing/ But this is more than just my road to redemption / Malcolm West had the whole nation standing at attention...I thought I chose a field where they couldn't sack me/ If a nigga a shootin' a jump shot or runnin' a track meet/But this pimp is at the top of Mount Olympus/ Ready for the world's games / This is my Olympics/ We make 'em say 'ho' cause the game so pimpish/ Choke a South Park writer with a fish stick...remind me when they had Ali enlisted/ If I wasn't the greatest/ Nigga, I must've missed it". The thing that makes Fantasy a force is not really driven by lyrical wordplay , because Kanye West has shown in year's past that he is one of the game's most gifted wordsmiths. What makes Kanye's fifth opus a true gem is the instrumentation.'Ye goes for the gusto by orchestrating a musical utopia of sonic sounds , that his peers have dared not to pursue. The triumphant horns of "All Of The Lights" and its "We Are The World" like numbers in guest appearances , hands down devours anything everyone else in the music industry is making, because everyone else isn't as crazy as Kanye West - and I meant that as a compliment. From the eerie backdrop of "Monster" to the distorted sounds of "Hell Of A Life", Kanye West has created a soundtrack that would make the greatest of Rock 'n' Roll God's blush. Only a talent of the likes of Kanye could have a guest list as diverse as found on Fantasy (i.e. Jay-Z to Elton John to Chris Rock) or hold your attention for nine mintues plus on "Runaway". With Fantasy, Kanye West has raised a bar so high, that even he might find it impossible to reach. But when your mind is as twisted as Kanye's (pun intended) , reaching for the unreachable is what is expected of you. Isn't that what being a genius is all about anyway?
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